Mat’s a writer and visual artist with an interest in the arts’ role in helping us to understand and confront the dominant culture’s radical unsustainability. His recent work includes an ongoing series of illustrated poetry chapbooks, Strandline Books (which won the British Museum’s 2015 Michael Marks Prize for poetry illustration), as well as image-word collaborations with the poet Em Strang (Stone, 2016) and the painter Kate Walters (The Black Madonna’s Song, 2020).
Mat regularly publishes essays that speak to entanglements of art, ecology and spirit within arts practice, including The Schoolgirl & The Drunkard, on storytelling and runaway climate change, An Underswell of Divination, on the illustrational collaborations between Ted Hughes and Leonard Baskin, and Black Light, on mass-extinction, regenerative culture and the rewilding of prayer. As part of Falmouth University’s Dark Economies research group, in 2019 Mat curated Negotiating the Surrender, a regional series of talks and workshops with Dark Mountain co-founder Dougald Hine, in support of the regenerative work of the Extinction Rebellion movement.
In 2017 Mat led a residential Art.Earth Short Course with the poet Alyson Hallett, Intimate Ecologies, which experimented with writing, drawing and improvised ritual as a means to enter into a reciprocal conversation with place. Mat’s a director of the graphic literature publisher Atlantic Press and of the Art.Earth research collective based at Dartington, where he’s currently leading a year-long series of events on the theme of Death, Dying & Change. Having regularly published his own illustration, poetry and essays with the Dark Mountain Project since its inception, in 2017 Mat acted as art editor for Issue 11 of their Dark Mountain Journal and as guest editor for In Other Tongues: a series of essays flowing out of the Art.Earth summit of the same name.
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